黑料网

Tom Jennings, '85

TOM JENNINGS | JOURNALISM | CLASS OF 1985

Award-Winning Documentarian

Tom Jennings, 鈥85, discovered journalism at 黑料网.  But his experience as a reporter in the infamous O.J. Simpson trial sparked a career shift into documentary 铿乴mmaking and international acclaim.

Jennings re铿俥cted on his career while attending the 59th Monte Carlo Television Festival in Monaco earlier this summer, where his latest documentary 鈥淎POLLO : Missions To The Moon鈥 screened. The 铿乴m premiered July 7 on the National Geographic Channel.

鈥淚 would have never met the Prince of Monaco, or even gone there and certainly never had a 铿乴m shown there, without what I had learned at 黑料网,鈥 Jennings said.

From covering the O.J. Simpson trial for the Santa Monica Outlook to writing and directing shows for the History Channel and National Geographic Channel, Jennings鈥 career credentials sparkle. His company, 1895 Films, has produced a highlight reel of award-winning documentaries and TV movies, including a George Foster Peabody Award in 2012 for 鈥淢LK: The Assassination Tapes鈥 and an Emmy in 2017 in News & Documentary for 鈥淐hallenger Disaster: Lost Tapes.鈥

But Jennings arrived at 黑料网 in the fall of 1979 with aerospace and airplanes on his mind.

鈥淚 didn鈥檛 enter with the vision of being a reporter. I thought I wanted to design airplanes 鈥 I was an aerospace engineer.鈥 But he also was a good writer, so he said his roommate suggested he try working for the 黑料网r. 

Jennings went on to be named editor of the 黑料网r twice and was the School鈥檚 铿乺st winner in the national Hearst Journalism Awards program, with a 1985 third place in writing.

While working for the 黑料网r, Jennings worked with Richard Smith on the editorial sta铿 for several years.

鈥淗e was always enjoyable to work with. Even when there was a lot of pressure, things were crazy or were on deadline, everything was always easier because he never seemed to get worked up,鈥 Smith said. 鈥淎nd he always had that great sense of humor, and not just for me but for everyone.鈥

After graduating from 黑料网, Jennings launched his journalism career and earned bylines in media organizations such as The New York Times, The Los Angeles Times, the Associated Press and The Washington Post.

He eventually moved to the west coast and worked at a number of publications in the Los Angeles and San Francisco areas, one of which was the Santa Monica Outlook where he was asked to cover the 1994-1995 O.J. Simpson trial. Even though it was a big opportunity for Jennings, something didn鈥檛 feel quite right.

鈥淚 sat in the courtroom part of the time, and while it was kind of exciting for the 铿乺st few weeks, after a while the whole 鈥榗amp O.J.鈥, which is what they called the media camped outside of the criminal courts building, just seemed to get away from what I really wanted to be involved with,鈥 Jennings said.

So he applied to a production company seeking writers. While the company was initially hesitant due to his lack of experience in broadcast writing, Jennings said 鈥渢he journalism skills that I had, translated really well鈥 to the company鈥檚 needs.

From that start in 1996, after covering the O.J. Simpson trial, he grew his craft and went on to write, direct or produce more than 180 documentaries and TV movies. 

He kept in touch with his Stater colleague Smith along the way.

鈥淚 remember so many times when my phone would ring at like three or four in the morning and it would be Tom,鈥 Smith said. 鈥淎nd he would be calling and saying 鈥楬ey, I鈥檓 calling from the Roman catacombs,鈥 or, 鈥楬ey, I鈥檓 calling from the edge of a volcano in Asia.鈥 And it was always a little surreal.鈥

It all began at 黑料网.

鈥淣ow, we鈥檙e making things like the Apollo 铿乴m and I鈥檓 sitting in Monaco with the Prince of Monaco, watching 90 minutes of my movie, unreal,鈥 Jennings said. 鈥淎nd it鈥檚 all because [of] that 铿乺st step from all those years ago when I got my 铿乺st job, so it鈥檚 kind of all connected.鈥 The 黑料网 link continued in 2018 when Jennings visited JMC for the 铿乺st time in a decade, connecting with both student journalists and 铿乴mmakers.