KENT, Ohio - The creative relationship between an artist and their master printer is one that is both unique and often overlooked. The School of Art Collection and Galleries at is proud to present an exhibition that focuses on one such relationship called “A Collaboration of Creativity.” The exhibition features a wide range of prints by distinguished artist David C. Driskell and master printer Curlee Raven Holton. The work will be on view at the CVA Gallery from Oct. 6 through Nov. 10, 2021.*
“A Collaboration of Creativity” is presented in partnership with the at the University of Maryland. Additionally, an artist talk by Curlee Raven Holton will take place on Friday, October 22 at noon in room 165 at the Center for the Visual Arts at . Both the exhibition and the artist talk are free and open to the public.
The exhibition includes over 40 prints created by both Driskell and Holton and emphasizes the story of their creative relationship. While each of these artists is celebrated for their own achievements, the ongoing collaboration between an African American artist and an African American master printer is rare. The exhibition invites the viewer to witness the mastery involved in their processes as well as how they, together and individually, helped drive the inclusion of African American artists into American art history books.
The CVA Gallery is located in the Center for the Visual Arts, 325 Terrace Drive in Kent, Ohio.
Gallery Hours: Tuesday - Thursday 10 a.m. - 4 p.m. or by appointment. Please direct appointment requests to Anderson Turner, Director, School of Art Collection and Galleries – email: haturner@kent.edu, phone: (330) 672-1369.
Both artists worked as professors, the late Driskell at the University of Maryland and Holton at Lafayette College in Easton, Pennsylvania, teaching art and art history. Their relationship began in 2003 when Driskell was invited to be a guest speaker at Lafayette College. There, he saw the work that Holton was doing with artists at the Experimental Printmaking Institute (EPI), which Holton established with a vision to provide artists with the time, space, materials, and professional support to create new work. Driskell was intrigued by the idea and was invited by Holton to create a fine art print at EPI.
Not long afterwards, the two immersed themselves into their first collaboration as they printed the limited edition earth-toned etching, “Brown Derby” (2003), featuring mask-like, overlapping faces, reminiscent of one of Driskell's well-known and loved offset lithographs from 1986, “Spirits Watching.” This was just the beginning of their twelve-year collaboration, which resulted in the creation of over 40 individual editions.
“Collaborative projects between artists can be difficult to navigate in general - trying to negotiate personalities, egos, and their creative will. However, the harmonious collaborative relationship between these two masters that has spawned over 40 creative projects and a lasting friendship is a testament to what creative partnership is destined to be,” stated Rodney Moore, Driskell’s Art Manager. “One key observation of the interaction between Curlee and David is the tremendous amount of respect and admiration they have for each other. ‘Maestro,’ which means a great and distinguished figure in a field, is how these two humbly greet each other in the studio.”
David C. Driskell (b. 1931-2020): Highly regarded as an artist, scholar and curator, David Driskell is cited as one of the world’s leading authorities on the subject of African American Art. In 1976, Driskell curated the groundbreaking exhibition, “Two Centuries of Black American Art: 1750-1950,” which has been the foundation for the field of African American Art History. He was the recipient of ten honorary doctoral degrees and contributed significantly to scholarship in the history of art on the role of Black artists in America. He authored seven books on the subject of African American art, co-authored four others, and published more than forty catalogs from exhibitions he curated. His articles and essays on African American art have appeared in major publications throughout the world.
Born in 1931 in Eatonton, Georgia and raised in North Carolina, David C. Driskell completed the art program in 1953 at the Skowhegan School of Painting and Sculpture, Maine. He received an undergraduate degree in art from Howard University in 1955 and an M.F.A. from Catholic University of America in 1962. He then pursued post-graduate study in art history at The Netherlands Institute for the History of Art in The Hague. Trained as a painter and art historian, Driskell works primarily in collage, mixed media, and printmaking.
Website: https://www.dcmooregallery.com/artists/david-driskell
Curlee Raven Holton (b. 1951): Curlee R. Holton is a printmaker and painter whose work has been exhibited in more than 40 one-person shows, and one hundred group shows. His exhibitions have included prestigious national and international venues like Egypt's 7th International Biennale, Taller de Artes Plasticas Rufino Tamayo in Oaxaca, Mexico, the Cleveland Museum of Art, and the Whitney Museum of American Art.
Holton earned his M.F.A. with honors from and his B.F.A. from the Cleveland Institute of Fine Arts in Drawing and Printmaking. Since 1991, he has taught Printmaking and African American Art History at Lafayette College in Easton, Pennsylvania and is also the founding director of the Experimental Printmaking Institute. In 2010, Holton was named the David M. and Linda Roth Professor of Art at Lafayette College. He retired in from teaching in 2017 but still serves as Director and Master Printer at Raven Editions as well as Director and Artist-in-Residence of the David C. Driskell Center for the Visual Arts and Culture of African Americans and the African Diaspora.
Website: https://www.ravenfinearteditions.com/about
the School of Art: The School of Art at was established in 1941 and maintains a tradition of excellence in visual arts education, creation, scholarship and leadership. Its undergraduate and graduate programs in the visual arts offer a range of directions and opportunities in the fields of art education, art history, and a comprehensive array of studio disciplines including painting, drawing, print media & photography, sculpture, ceramics, glass, jewelry/metals/enameling, and textiles. The School of Art Collection and Galleries consist of six exhibition spaces located on the Kent campus and downtown Kent and a collection of over 4,000 artworks and objects. The School of Art is located at the Center of the Visual Arts at 325 Terrace Dr. in Kent. The 27,900-square-foot facility — twice the length of a football field —had its grand opening in 2016 and houses all School of Art studios and classrooms under one roof.
Follow the School of Art Collection and Galleries on social media: , , .
Website: /galleries
the David C. Driskell Center: The David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora at the University of Maryland, College Park, honors the legacy of David C. Driskell (1931-2020) —distinguished university professor emeritus of art, artist, art historian, collector, curator and philanthropist— by preserving the rich heritage of African American visual art and culture. Established in 2001, the Driskell Center provides an intellectual home for artists, museum professionals, art administrators and scholars who are interested in broadening the field of African diasporic studies. The Driskell Center is committed to collecting, documenting and presenting African American art as well as replenishing and expanding the field.
Website: https://driskellcenter.umd.edu/
###
Media Contact: Roza Maille, Marketing Assistant, School of Art, rmaille1@kent.edu, 330-672-2260
*The original dates stated this exhibition ran through Nov. 11. will be closed that day in observation of Veterans' Day and therefore the galleries will be closed. We apologize for any inconvenience this may cause.